Lokta paper is handmade in Nepal from the fibrous inner bark of the Daphne plant (Daphne Bholua and Daphne Papyracea), also known as Lokta bush. Lokta paper’s durability and resistance to tearing, humidity, insects and mildew have traditionally made lokta paper the preferred choice for official government records and sacred religious texts. Once produced, Lokta paper can last for several millennia (ca. 2000–3500 years).
This is one of my favourite types of paper. It’s unique look and feel makes it ideal for origami, lampshades and other crafts, and it comes in a large variety of thicknesses, colours and prints.
Weight: 110g/m2, 190g/m2
Elephant Hide paper is made in Germany by the Zanders Mill. It is smooth, unusually durable and scratch resistant. This paper is tough to fold but performs excellently for wet folded origami models.
I enjoy working with this beautiful, durable and unique paper. I often color it with a mixture of acrylic paint, ink and water, which due to the papers water resistant surface creates a watercolour-like effect.
Chiyogami is a combination of the Japanese words chiyo (one thousand generations) and kami (paper). It refers to Japanese hand-screened decorative kozo washi (handmade Japanese mulberry-fibre paper) consisting of repetitive patterns. Originally the design was applied to handmade kozo paper with wood blocks, but today most chiyogami is produced with silkscreen techniques. The paper is thin, strong and has vibrant patterns and colours. Perfect for timeless origami.
Katazome-shi means stencil-dyed paper.
Based on traditional kimono-printing processes, kozo washi (handmade Japanese mulberry-fibre paper) is coloured using a combination of stenciling and resist dyeing. Making katazome-shi is, like chiyogami, a labourous and skill demanding job, but the result is among the finest of papers. The strength and beauty of this paper makes it great for origami plus a variety of creative applications.